BlueCat Motors E-books > Drawing > Character Costume Figure Drawing: Step-by-Step Drawing by Tan Huaixiang

Character Costume Figure Drawing: Step-by-Step Drawing by Tan Huaixiang

By Tan Huaixiang

Personality dress determine Drawing will strengthen your drawing talents to enhance your renderings. not just is that this booklet lovely and inspirational, yet those finished visible pictures rigorously illustrate--step-by-step--how to effectively render dynamic characters with character and existence. This booklet offers drawing guideline with exact breakdowns of assorted different types of characters. Maternal? aged? Sassy? horny? all of it starts off with physique share, bone constitution, physique plenty, facial expressions, and the arms and toes. Hats, props, materials, and selection of medium are all completely coated to make sure the power to advance convincing real looking characters.

Includes particular three-step drawing publications that enhance the comic strip from stick determine to full-blown character
Detailed examples of the way to attract faces, palms, and feet
Learn to attract reasonable materials in a large number of colours and textures
NEW: learn how to draw your personality in accordance with the period of time they're from
NEW: learn how to draw young children and music/dance characters.

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Additional resources for Character Costume Figure Drawing: Step-by-Step Drawing Methods for Theatre Costume Designers (2nd Edition)

Example text

Therefore, we have to pay considerable attention to contouring the neck. The indentations on the neck should be emphasized in order to depict a graceful, elegant, and healthy neck. The outlines of the side of the neck are straight (in front and back views) and can be drawn in one complete line with the shoulder slope, or with a break where the neck and shoulder slope meet. In this case, the shoulder-slope lines should stay behind the necklines. The slope is slightly curved toward the shoulder bone.

They start from just behind the ear and slant down to the middle of the collarbone. The functions of these muscles are to support the head and turn it in different directions. 1-32 Contouring the Head and Neck Male — Front View Female — Profile Male — Back View The front and back views of the neck show straight lines. The neck in profile view is slanted forward. The top of the front part of the neck starts just below the chin and ends at the pit of the neck. The top of the back part of the neck starts at the same level as the bottom of the ears, and it merges with the shoulder slope.

I work without live models, from my own imagination. I use tapered boxes or irregular shapes, sticks, and little circles to indicate the basic bone structure of the figures. That is the way I analyze and explore human body movements. This is always the fundamental thing to do: get correct proportions, design action movements, locate the joints, and balance the weight of the body. This approach helps me to modify the body movements, actions, or attitudes that define the body as being alive. The greatest benefit of using abstract shapes 1-30 Abstract Stick Figures in Action in poses is that doing so will eliminate a lot of meandering lines and shapes that don’t say anything about the character.

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